In Forget & Remember, Gil & Moti take you through the stories of and about the protagonists of the exhibition: Gil's father Yitzhak and Moti's mother Naomi, and their very different collections. Gil's father has a collection of everyday objects that he uses himself or found on the street. Moti's mother's collection consists of paintings by famous Israeli immigrant artists from the period 1930-1970. By highlighting in text and image elements from both collections Gil & Moti portray the complexity of their own identity and of their native Israel. Using the stories of their parents, the artists explore the relationship between personal, subjective memories and collective memory.
Forget & Remember installation, painting, video, sculpture, writing, photography. Exhibited Jewish Museum Amsterdam Made possible with the generous
support of: Mondriaan Fund, Jaap Harten Fonds
Forget & Remember, 2021, exhibition view Jewish Museum Amsterdam, painted wood, wallpaper, paintings with found objects and original Israeli masters’s paintings, six-channel video installation, Ultra HD, total length: 26’20’’, audio guide, furniture, photo Aad Hoogendoorn
Left- Relational Aesthetics with Zvi Gera, 2015, oil on canvas with framed original lithograph, 200 x 80 cm
Right- Relational Aesthetics with Moshe Bernstein, 2017, oil on canvas with framed original ink drawing, 60 x 180 cm, photo Aad Hoogendoorn
Left- Relational Aesthetics with Sickles, 2020, oil on wood with original sickles, 123 x 105 x 7 cm
Right- Relational Aesthetics with Irons, 2020, oil on wood with original irons, 66x 116 x 15 cm photo Aad Hoogendoorn
Forget & Remember, 2021, six-channel video installation, Ultra HD, total length: 26’20’’, excerpt 4’45”
Forget & Remember, 2021, six-channel video installation, Ultra HD, total length: 26’20’’, excerpt 3’16”
Relational Aesthetics with Baruch Agadati, 2021, oil on canvas with framed original silk painting 80 x 160 cm, photo Aad Hoogendoorn
Relational Aesthetics with Meat Grinder, 2021, oil on wood with original meat grinder, 68 x 68 x 30 cm, photo Aad Hoogendoorn